ENSEMBLE GOMBERT
Australia's Outstanding Chamber Choir
for Over 25 Years
About Ensemble Gombert
Founded in 1990, Ensemble Gombert is passionately committed to delighting audiences with choral performances of the highest standard. Ensemble Gombert is noted for its pure intonation and historic approach to choral sound and style. Specialising in a cappella performance of Franco-Flemish music of the High Renaissance, the Ensemble invites you to join them on their musical journey.
Explore the rest of our site to find out where we will be performing next and how to support us.
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2020 CONCERTS
Due to COVID-19 we have had to postpone our performance calendar for the time being. Please follow our facebook page for 30th anniversary celebrations! We look forward to sharing our music with you again.
"... John O’Donnell demonstrated his commitment to a more authentic and honest historic style, with a uniform pure and balanced sound and a constant tone and level of dynamics... There were many contrasts as the female voices added more intricate ornamentation, and the full choir exuded a power and strength which contrasted with reverence and prayerfulness... the splendid antiphonal responses and detail in the vocal parts was a joy to hear... The final extended AMEN was performed with strength and majesty in a stirring conclusion, a tribute to Monteverdi’s belief that 'The end of all good music is to affect the soul'."
JULIE MCERLAIN, CLASSIC MELBOURNE REVIEW, OCTOBER 3 2019
..."a potent reminder of the choir’s outright distinction in this country’s choral ranks."
CLIVE O'CONNELL, O'CONNELL THE MUSIC, 12 DECEMBER 2017
"The combined voices of Ensemble Gombert catapulted the evening even higher, their well-rehearsed, crisp, precision-timing and attentive modulation of sound showing pleasing reliability."
PAUL SELAR, JUNE 2017
"[The Ensemble's] reputation as the city’s indubitable experts in Renaissance choral music is unchallenged... Melbourne’s finest choral force"
CLIVE O’CONNELL, O’CONNELL THE MUSIC, 2 MAY 2016
"The ensemble performed with nineteen voices... who, thanks to exemplary vocal training, came up with a rich tone that would have easily filled a large cathedral. One could hear clear, vibrato-free voices of flawless intonation and enormous stamina, because the program was performed without the usual organ breaks and yet no signs of fatigue were noticed at all."
GERHARD DEUTSCHMANN, COBURGER TAGEBLATT [GERMANY], 6 OCTOBER 2015
"[F]ine vocal qualities and several flashes of light … a highly appealing purity of sound … pleasing contrasts, from the pristine opening lines to graceful texture alternations between the upper and lower voices … The ensemble easily handled each movement’s technical challenges and displayed a pleasing range of moods from quiet introspection to vigorous exhortation”
JOSEPH SARGENT, SAN FRANCISCO CLASSICAL VOICE, 22 SEPTEMBER 2009
“Cohesion and master control were the order of the day, with a consistently beautiful choral texture overriding the considerable musical challenges... Melbourne has a world-class ensemble.”
XENIA HANUSIAK, HERALD-SUN [MELBOURNE], 21 DECEMBER 2005
“Is it possible to over-praise? … [T]here have been few more absorbing samples of live choral work in my experience … For sheer purity of intonation and fluidity of texture this was a memorable performance … Even the most highly publicised visitors rarely produce music-making of this calibre”
